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The Freedom of Music, The Mighty Zep, This Week on my I-Pod Celebration Day, Chris Dreja, Jimmy Page, Led Zeppelin, O2 arena, Queen, Rolling Stones, The Who, Yardbirds

One likes to believe in the freedom of music.

Rush – Spirit of Radio.

“Do you think you could make him a list of bands and songs from the 70’s to listen to?”

My daughter is asking on behalf of her boyfriend, who is a Stones fan, “but he’s not into Zeppelin,” and wants to expand his musical horizons. Well, besides the fact I don’t really do lists and I consider anybody who’s “not into Zeppelin” beyond hope, sure.

For starters, any fan of 70’s era Stones should check out The Faces. The two groups sound, at times, remarkably alike, yet you would never mistake one for the other. Get their greatest hits album, “a nods as good as a wink….” and check out Stay With Me, Three Button Hand Me Down and Ooh La La.

As well, never ignore the albums when talking about 60’s and 70’s music. If you are a Stones fan based on any number of their hits, know that buried on the albums are songs you have never heard but are great. Pick your favourite Stones songs, and listen to the albums they came off. Chances are you’ll find songs you’ll like, and possibly whole album sides that just seem perfect (yes sides: the artists thought in terms of sides – not songs, not albums – and they are the way to approach the music of the era)

Working backwards from the 70’s, The Stones and Yardbirds both came from the same place, The Crawdaddy Club of the early 60’s. Each went in different directions, but they started at the same place. So too shall we.

The early Yardbirds is the thing, that Clapton stuff, and moving into the Jeff Beck years. Five Live Yardbirds to start, and then a greatest hits package of some sort. Branching out, check out the individual guitarists post-Yardbirds careers: Clapton with Cream, Derek and the Dominoes and his early solo work; The Jeff Beck Group (featuring pre-Faces Rod Stewart); and of course – you knew I had to get here – Led Zeppelin.

Now I know, not a Led Zeppelin fan, he’s heard them before and found them wanting &tc. But discussing the era without discussing Led Zeppelin is like not discussing The Stones or The Who. It’s an incomplete conversation. Everybody knows some Led Zeppelin songs, and judgement can be clouded by an incomplete picture of a band that played such a variety of music. Here’s what you do. Listen to, in order, Led Zeppelin I side 2 – the blues album; Led Zeppelin II, side 1, the heavy metal album; Led Zeppelin III side 2, the acoustic album; Led Zeppelin IV, side 1, the masterpiece.

Here’s the logic. After The Yardbirds, Cream and The Jeff Beck Group, the first album is in context. It’s their blues album, but side 2 will surprise you with the almost pop sounding You Time is Gonna Come, the acoustic solo Black Mountain Side, the pre-punk Communication Breakdown, Old Willie Dixon blues on I Can’t Quit You Baby and the jam How Many More Times. It has a little of everything, and turning the album over just to hear Good Times, Bad Times and Babe I’m Gonna Leave You will be a revelation.

The second album is their road album, and if Led Zeppelin invented heavy metal (they didn’t, and it’s an awful description of them as a band), II is when they did so. That in, everything you ever wanted to know about Led Zeppelin is in the first two songs of Led Zeppelin II. Whole Lotta Love, the supposed birthplace of heavy metal and What is and What Should Never Be, sweet ballad turned hard rocker in the chorus. They may not have invented heavy metal, but they did invent the heavy metal ballad with What is… The slide solo alone is worth listening to this album for.

The third album, written at a rustic cabin in the Welsh countryside, is everything Led Zeppelin is not supposed to be. Side two will literally shock the person who thinks they know Led Zeppelin but have never heard this. Four acoustic songs, each one completely different, yet not an electric guitar to be found. They return to the blues on the last song but it’s probably worth skipping until you’ve listened to the first four songs enough times to a) love them and b) wonder what the hell they are about. My favourite album side as a teenager, and still one that mesmerizes me.

Finally four, the masterwork. You know the songs on side one, but hearing them in context improves them. The sound of needle on vinyl (yes, listen to the records if you can – just ask first and put the damn things away when your done) a quiet E string being played in the open position, and then, all on his own Robert Plant, bel canto, singing on of the great opening lines:

Hey hey mama said the way you move, gonna make you sweat, gonna make you groove.

How can you not like that? It’s immediately followed up with Rock and Roll, Zeppelin’s answer to critics who said they had gone soft after the second side of the third album. If you can take it up a notch from Black Dog, they do. And then, the greatest 14 minutes in rock and roll: The Battle of Evermore/Stairway to Heaven: Prelude and Masterpiece. Everybody has heard Stairway to Heaven in isolation, or at dance’s end after Play the Funky Music and Night Fever, or on the radio in a set with Hell’s Bells and Let it Be, and it loses something. But the pastural intro to Stairway in the shadow of the war ballad of Battle of Evermore gives it an entirely new feel. Oh and by the way, here’s why Led Zeppelin are the greatest band ever. That slide solo in What is…, Page gets the sweetest sound using an electric guitar and a distortion pedal yet in Battle of Evermore they convincingly create a massive sounding war song with 2 mandolins and an acoustic guitar. Nobody else can do that, and they do it while creating emotional intensity. Stairway ends side 1 ends the way Black Dog began it, Robert Plant singing a cappella – because when I tell you the artists thought in sides, I wasn’t kidding.

So that’s Led Zeppelin, and hour and a half spent investigating some of the greatest music ever. If you’ve followed the directions and still don’t really like Led Zeppelin, well then find someone else’s daughter to date, ’cause there’s not much hope for you. But at least everything else you listen to from the decade will have the appropriate context.

Moving on, but staying ever so briefly with the Stones offshoots, Aerosmith took influence from all of The Yardbirds, The Stones, Led Zeppelin and, as I’ve argued before, The Faces. Forget everything since they’ve reformed in the 1980’s, forget that Stephen Tyler loses credibility with every TMZ day, Aerosmith’s 70’s stuff is good to great. Start with the greatest hits if you must, but hit the albums too. The hits, Walk This Way, Sweet Emotion, Dream On are all excellent. But in the albums are some stellar tracks: Mama Kin, The Yardbird’s Train Kept a Rollin, Same Old Song and Dance.

In 1981 the Rolling Stones where playing locally at Buffalo. Opening that day at Ralph Wilson Stadium was a guy the rumoured to have been readied to step in and take over for Ron Wood if he was unable to continue, which seemed possible. Reportedly the only artist Bill Wyman would ask for an autograph over the Stones long career, the guys in the Stones where George Thorogood and the Delaware Destroyers fans, so shouldn’t a Rolling Stones fan be too? Start at the beginning, with One Bourbon, One Scotch, One Beer. If you can’t recite the line “I know, everybody funny, now you funny too,” with confidence, you really don’t get rock’n’roll.

Also on the act that day, Foghat. Try them out, and their British counterparts (I know, Foghat are British, but their success was in the US), Status Quo.

Leaving the Stones influence behind, there’s almost too much music, too many bands of the era. In some cases whole repertoires should be explored, in others, a song or two. In most cases, I’ll discuss and album or album side.

The Beatles: Since we are discussing the era of the late 60’s early 70’s, explore at your leisure the later Beatles. While My Guitar Gently Weeps, Revolution, Back in the USSR. There’s a lot of good rock music in there between John Lennon’s experiments in avant-garde and Paul McCartney’s soppy ballads. You’ll find stuff you like, including possibly some ballads and avand-garde.

Also, the solo Beatles is good. To me, Paul McCartney’s best work, ever, was his early Wings stuff – Band on the Run and Venus and Mars. Also his first few solo albums, including the song Maybe I’m Amazed. Lennon’s solo work is also good, sometimes great. Everyone knows Imagine, but Jealous Guy, Whatever Gets You Through The Night, Watching the Wheels and Woman are all excellent. George was the underrated Beatle, and he proves it in his solo work. His first post-Beatles work is All Things Must Pass and it has My Sweet Lord and What is Life. But pick up his greatest hits and find out how good he is. Then get Somewhere in England, or at least the song All Those Years Ago and hear his tribute to John Lennon, who was killed the year before. Most people don’t know that Ringo had a fairly good solo career, and his greatest hits album is full of fun little pop songs that are a perfect way to waste an afternoon.

The Who also fall into the must listen category. Considered one of, if not the most exciting live act of the time, the Who’s work spans the decades. From the 60’s, grab their greatest hits album, Meaty Beaty Big and Bouncy, as well as their live album Live at Leeds. For sport, imagine seeing The Who, playing as good as they do at Leeds, playing your university.

In the 70’s, check out Who’s Next. You know all the songs anyway, from the CSI intros, but listen to them in their entirety, in context. In the 80’s the post-Kieth Moon Who had former Faces drummer Kenny Jones keeping beat, and they released a couple of good albums, 1981’s Face Dances and 1982’s It’s Hard. Check them both out, including You Better You Bet, Athena, Eminence Front and John Entwistle’s ironic rocker, The Quiet One.

How’s that fro a start? There’s your homework, and there’s enough there to keep you too busy to be bothering my daughter. And when your done that, we’ll move on to individual songs you should be listening too.

The Freedom of Music, This Week on my I-Pod Beatles, Eric Clapton, Faces, Foghat, George HArrison, George Thorogood, Jeff Beck, Jeff Beck Group, Jimmy Page, John Lennon, Led Zeppelin, Paul McCartney, Ringo Starr, Rod Stewart, Rolling Stones, Slade, The Who, Yardbirds

One likes to believe in the freedom of music.

Rush – Spirit of Radio.

“Here,” Jeff Beck handed a 50’s telecaster to Jimmy Page. Page had recommended him to the Yardbirds in 1965, and he got the job, his big break. “Thanks for getting me the gig.”

He would stay with the Yardbirds two years, the last six months playing dual lead player with Page before he would go on to create his own band, discovering Rod Stewart and Ron Wood in the process. He turned down the chance to play in Pink Floyd – a gig that would go to David Gilmour – and the Stones after Mick Taylor left. He has played soul, funk, jazz and rock, always based heavily in the blues.

Jimmy Page, on the other hand, would use that telecaster five years later to record his “talk to God” solo on Stairway to Heaven.

A few weeks ago a friend asked if I was interested in going to see Jeff Beck. He was appearing in Kitchener, and he had 3rd row, center stage tickets. A chance to see an living legend from 12 feet away? Yea I’m interested.

So it was I found myself close enough to the stage Wednesday night that I could hear the onstage chatter. Jeff Beck, childhood friend of Jimmy Page, one of the three legendary Yardbirds, superstar guitarist and what Rolling Stone laughably listed as #14 all time great rock guitarists (he’s top 5 on any sane list) was close enough that I could watch his technique in detail.

Drive for show, put for dough, is on old professional golf maxim. In the guitar world, it is left hand for show, right hand for dough. As impressive as Jeff Beck is, as interesting as his resume makes him out to be, he’s better under close scrutiny, and it’s all right hand technique.

He controls the volume pot on his white Stratocaster constantly, and has the tremolo bar riding gently under his index finger most of the time. His manipulation of the tremolo bar, using it to create a legato through the melody, is awe inspiring.

But it’s his tone you really notice. He sounds like no one else If God plays guitar, you know he sits around going, “how does Jeff Beck get that tone?” It, and he, really is that good.

Beck is a dual member of the Rock and Roll Hall of Fame, as both a Yardbird and solo artist. Jimi Hendrix, it is claimed, lifted some of his best licks from Beck’s Yardbirds playing. And to see him from 12 feet away, there can be no doubting. If your looking for great, not good, guitarist, Jeff Beck truly is one of the best ever.

But don’t believe me: ask God.

Guitar Greats, The Freedom of Music Jeff Beck, Jeff Beck Group, Jimi Hendrix, Jimmy Page, Yardbirds

Eric Clapton is the original Yardbird guitarist, the first of three to pass through that legendary band and onward to bigger and better.

Cream was the original power trio, the model for so many others, including bands like Led Zeppelin who took the musical trio and added a vocal. Clapton was the first guy who brought the Les Paul guitar out of obscurity, plugged it into a Marshall Amp and transformed the look and sound of rock music.

As an musician Clapton has a hand in such works as After Midnight, Sunshine of your Love, Badge, Crossroads, Lay Down Sally, For Your Love, My Fathers Eyes, White Room, I Shot the Sheriff and Wonderful Tonight to scratch the surface.

It is for none of the above that At Home in Hespeler celebrates “Slowhand” Eric Clapton’s 65th today. We Celebrate Eric Clapton because of Layla, one of the most magnificent, deeply felt songs in rock’n’roll. A true work of genius, and a pretty good career in and of itself. So happy birthday Eric Clapton, and no, all your love was not in vain.

Birthday Wishes After Midnight, Badge, Cream, Crossroads, Eric Clapton, For Your Love, I Shot the Sheriff, Lay Down Sally, Layla, Led Zeppelin, Les Paul, Marshall Amp, My Fathers Eyes, Slowhand, Sunshine of your Love, White Room, Wonderful Tonight, Yardbirds

… Geoffrey Arnold Beck

Jeff Beck is the middle of the three great Yardbird guitarists, his time with the legendary band squeezed between Eric Clapton and Jimmy Page. Never a great improviser, songwriter or singer he is often underestimated. His renderings of other people music is, however, often brilliant and his guitar playing is as good as any in the rock genre. It is no exaggeration to call him a great guitarist, far more so than the more highly celebrated Clapton, in my opinion.

Beck’s first post-Yardbirds group would feature a young Rod Stewart on vocals and future Rolling Stone Ron Wood on bass. It was considered the template for friend and Yardbird band-mate Jimmy Page’s future band,  Led Zeppelin (the name Led Zeppelin incidentally, emerged from a recording session called Beck’s Bolero, with Beck Who drummer Kieth Moon, Pianist Nicky Hopkins and future Zeppeliners Page and John Paul Jones).

Beck was inducted into the Rock and Roll Hall of Fame this year, many years too late (he was, of course, previously inducted as a Yardbird).

Jeff Beck, one of the true greats of rock ‘n’ roll guitar, happy 65th birthday:  enjoy your seniors discount years.

Beck’s Bolero

Beck Bogart and Appice – Superstition

Birthday Wishes, Rockin' and Rollin' and Never Forgettin' Beck Bogart Appice, Beck's Bolero, Carmine Appice, Eric Clapton, Jeff Beck, Jeff Beck Group, Jimmy Page, John Paul Jones, Kieth Moon, Led Zeppelin, Nicky Hopkins, Rock and Roll Hall of Fame, Rod Stewart, Rolling Stones, Ron Wood, Tim Bogart, Yardbirds