Cowboys and Indies: The Epic History of the Record Industry by Gareth Murphy
Cowboys and Indies: The Epic History of the Record Industry is a well researched trundle through the record industry from it’s inception with the first voice recording in Paris in 1860 to the modern era. Author Gareth Murphy runs through the history of recorded music, noting similarities to todays problems from the past, with a working thesis that the modern record industry isn’t in as bad shape as it currently seems, and certainly not when looked at against the historical record.
Beginning in the late 19th century, Murphy chronicles the rise and fall of such notables as Thomas Edison and Alexander Graham Bell, as well as lesser knowns like Eldridge Reeves Johnson and Frank Seaman, the latter of whom in 1900, in a move that will resonate with modern buyers, threatened prosecution against customers who bought Gramophones.
“The record business of the twenties and thirties experienced a crash even more devastating than the recent one,” Murphy notes in the books introduction. A crash that saw the record industries “biggest boom in record sales, in and around 1921, was immediately followed by the biggest slump in the industry’s thirty-year history.” A slump caused, it should be noted, by the introduction of a new technology that made “talking machines” seem obsolete.
Cowboys and Indies is, in fact, a good romp through the ups and down, the people and the musicians throughout the history of the record industry.
Except…
Except in the 1970’s the narrative changes, and Cowboys and Indies suddenly becomes a story about the underground club scene in New York and an Independent (read: small) record store in London. The rock era is virtually dismissed for disco, punk, electronic music and eventually, hip-hop and dance music. Led Zeppelin and Pink Floyd are minimized and Ian Drury becomes a major player. It’s a strange turn, and I found myself wondering more than once, what happened to the book I was reading?
Despite this, Cowboys and Indies is a good read and is recommended for those who like the inner workings of the music industry.
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