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The Freedom of Music: Bowie, anti-Bowie

January 24th, 2016
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freedom-of-music-header

One likes to believe in the freedom of music.Rush – Spirit of Radio.

Procrastination is an ugly thing. It lends itself to taking a task, simple or complex, and making it harder. Case in point, David Bowie died and I was going to write about it, maybe discuss how often Bowie eulogies seemed to start with “I’m not one of those Bowie freaks, but I really liked x,” x being a song, en era, a character.sidebar-2 Bowie offered, I would have written, seemingly something for everyone. But instead of writing it, I procrastinated, held it off a week. And then Glenn Frey died.

Glenn Frey of the Eagles may be the anti-Bowie, never out of character as the cool guy. Instead of being the kind of act were everybody likes something in the catalogue, the Eagles are always surprisingly contentious. There is much more of a love/hate element to the Eagles. Who could imagine, for instance, The Dude getting thrown out of a cab protesting, “I fucking hate David Bowie man!”?

So I procrastinate, and now I have to weave together a web that interestingly compares David Bowie and Glenn Frey. Good luck with that, I’d say.

Do you remember when Farrah Fawcett died? It was the same day as Michael Jackson and of course the sad news of this beautiful woman, a highly talented and successful actress, was buried in the avalanche of grief for Jackson. So too is the fate of Dale Griffin, whose passing was announced a few hours before Glenn Frey’s.

Dale Griffin passed away on Sunday at age 67 after suffering from Alzheimer’s disease. He was the drummer for 70s British glam-rock band Mott the Hoople. Mott the Hoople spawned the careers of Ian Hunter and Bad Company’s Mick Ralphs. Their biggest hit was All The Young Dudes, written by, wait for it… David Bowie.

Considered to be a youth anthem, Bowie protested that All the Young Dudes was nothing of the sort. “All the Young Dudes is a song about this news…” the news being that the world had only five years left to live, as told on the Ziggy Stardust song “Five Years.”

Pushing through the market square
So many mothers sighing.
News had just come over,
we had five years left to cry in.

Like so many Bowie songs, five years is a story that begins by introducing a person, or in this case, persons, as in mothers sighing. The mothers may sigh at the news and the young dudes may carry the news, but All the Young Dudes opens with Billy rapping “all night about his suicide…”

Five years opens the Bowie album The Rise and Fall of Ziggy Stardust, featuring the song Ziggy Stardust:

Ziggy played guitar,
jamming good with Wierd and Gilly,
and the Spiders from Mars…”

Story telling is at the heart of art. We all get that a great book, or play, or movie tells a story. Fewer think along those lines when it comes to a picture, but spend an afternoon at a good gallery amongst the renaissance masters and you’ll find stories of heroic deeds and stories of saints and historical stories and even stories of average people, or at least average people of some degree of leisure.

But pop music as story telling? Oh sure, we all get the Bob Dylan is a storyteller, even named his box set Storyteller. And yes, we get that The Who’s Tommy has some vague storyline, if only because we have been told as much so often. And above you can see that Bowie was telling stories, but it’s hardly the same is it? It’s not like you open a song with “it was a dark and stormy night.”

On a dark desert highway,
cold wind in my hair.

And so the Eagles open Hotel California with a variation of “it’s a dark and stormy night.” Like the opening to many a good story, it presents a time and a place, the desert at night, and creates an action, driving. Here’s another, see if you can spot the elements of setting:

I’m standing on a corner in Winslow Arizona…

The essence of good art is good story telling. In the last two weeks we have lost David Bowie and Glenn Frey, two men who were outstanding at telling their story through pop songs, no easy feat. They had different styles, used the format of the three to five minute song in different ways, but at their heart, they both told stories that we as an audience responded to.

May they rest in peace.


for certified professional guitar repair in Cambridge Ontario: Brian Gardiner Guitar Repair

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David Bowie Is

September 2nd, 2014
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Victoria and Albert Museum in London, ran a David Bowie exhibition, David Bowie is, from March until this past August 11th. Now over, the exhibition goes on the road, with stops in Berlin, Paris, Groningen, Melbourne, Chicago and a local stop for myself, Toronto. The exhibition spans five decades, with over three hundred artifacts, some from as early as Bowies very young childhood.

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On the last day at the Victoria and Albert Omniverse Vision was invited to shoot the exhibition, and a special presentation made to visitors on that day. The result is a documentary that captures the exhibition, David Bowie Is. It will be premiered on September 23rd to coincide with the opening of the Chicago Exhibition. David Bowie Is will play one day only at a select 100 theatres across the U.S. (click the link to see if it’s playing at a heater near you).

The documentary takes you through the exhibit in chronological order, from Bowies baby movies up to the 90’s. Throughout, speakers in a live presentation setting offer a glimpse into Bowie, and the exhibition. Clips of fans touring the exhibition give an idea of what Bowie means to fans (hint: more to fans in the U.K. than is generally so here in the colonies).

Highlights of the exhibition, and movie feature Bowies stage costumes (a number of which are at the exhibition), handwritten lyrics, teenage sketches and an short animated film of Diamond Dogs, based on Bowies on sketches and notes for just such a project that never happened.

But while the documentary focuses on Bowie the fashion icon, Bowie and his characters, Bowie the actor, the music throughout rends you that Bowie was a very creative musician who never repeated himself. It is the music, like Bowie himself, that makes David Bowie Is worth seeing.


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Fluffernutter Friday: David Bowie Is

August 29th, 2014
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Omniverse Vision is releasing a documentary of the Victoria and Albert Museum exhibition, David Bowie Is. To coincide with the opening of the exhibition in Chicago (gee, now that’s 2 reasons to head to the Chicago area), the documentary will be screened in 100 movie theatres across the US on September 23. Here’s the trailer for David Bowie Is:

At Home in Hespeler will have a review of David Bowie Is coming soon.

Meanwhile, if you like Bowie, a couple of years ago this video, previously thought lost, of him playing The Jean Genie in 1973 on Top of the Pops was leaked. The film for it had been saved from destruction and living in the basement of a cameraman on the program. It shows Bowie (and Mick Ronson on guitar) at his absolute best.

And for those who opened the link up the page and thought, Bondfest? Maude Adams? Who? This is Maude Adams

Maude Adams


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The Freedom of Music: The Front Men (and Women) of Rock

September 5th, 2010

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One likes to believe in the freedom of music.
Rush – Spirit of Radio.

Gibson Guitars had a list of the top 50 front men (and women) of all time on their webpage. Actually, they had two lists: one put together by Josh Todd of Buckcherry, Chad Kroeger of Nickelback and Ric Olsen of Berlin, plus staff at Gibson.com. The other list was chosen by readers. Here’s the top 10 of each list:

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1.Mick Jagger
2. Freddie Mercury
3. Robert Plant
4. Elvis
5. James Brown
6. Jimi Hendrix
7. Michael Jackson
8. Roger Daltrey
9. Prince
10. Jim Morrison

Readers

1. Freddie Mercury
2. Bruce Dickinson (Iron Maiden)
3. Marc Bolan
4. Bon Scott
5. Robert Plant
6. Brian Johnson
7. Mick Jagger
8. Bono
9. Robin Zander
10. Elvis

We can pick and natter about the list, and ultimately that’s what these lists are for. So lets:

Really? Freddie Mercury is pretty much the undisputed best? Really?? While the “experts” pick Jagger, the readers placed him well enough down the list to make Freddie indisputable. One suspects however that too many fans think of Mick circa 2005, or 1995, when he looked like a skeletal old man refusing to acknowledge his age. Longevity has it’s curses…

There is an argument to be made that Elvis wasn’t really a front man, he was the act. And if we are allowing guys like Elvis, why not Frank Sinatra? Could you make a list of front men, and not have Sinatra on the top 25, never mind the top 50? Hell, Neil Diamond is there. And not to pick on Elvis, the same questions apply to Jackie Wilson, Otis Redding, Garth Brooks and, too a lesser degree, Chuck Berry, Little Richard and Elton John &tc….

And what’s this about Stephen Tyler being at #11 on the Gibson list and #22 on the fan list, yet Rod Stewart is #22 on the Gibson and doesn’t make the fan list? People don’t seem to realize how much Tyler copped Stewart’s Faces act. Oh, I know, I know, he copped Jagger not Stewart. Except other than looking kinda, sorta like Jagger, there is little comparison. He dresses more like an early 70’s Keith than Mick, but his stage stuff is all Stewart. The scarves hanging off the microphone, the dragging the mike stand around the stage. All Rod, before Aerosmith came along. Granted, Tyler uses silk scarves and Stewart football scarves, but that’s details. The point is, if Stephen Tyler is to be so high on the list (and don’t get me wrong, he belongs up there), then Faces era Stewart belongs in that neighbourhood.

Quibbles and Bits,however, as the dog is always saying when we argue philosophy (these discussions usually involve vodka). If Gibson readers think Freddie Mercury over Bruce Dickinson, then I’ll not argue. He wouldn’t top my list – and you know there’ll be a list – but then again, Bruce Dickinson? Not on my list.

Dickinson and Robin Zander. When I said top front men, did Bruce Dickinson and Robin Zander come to mind? Iron Maiden and Cheap Trick’s front men? Is Zander even Cheap Trick’s guy, wouldn’t Rick Neilson really qualify as Cheapest Trick? But lets face reality. A couple of fan web sites put fans on notice there was a readers poll and a “lets get Robin to the top of the list,” button. Even accounting for that, however, Marc Bolan? Who’d a thunk it?

For those who don’t know, Marc Bolan was the leader of T. Rex, although that was by no means his only band. T. Rex had a significant American hit with Bang a Gong. Bolan was their singer and guitar player, had male model good looks (in fact he did some modelling), the requisite big curly hair, and played a Les Paul on stage. He is credited with inventing Glam Rock, what we here in America tended to call Glitter. Think Ziggy Stardust era David Bowie, and you have Glam (or think Cherrie Currie dressing up as David Bowie in “The Runaway’s” and you’re there).

T. Rex released nine albums from 1970-1977, a decent output, to put it mildly. In fact, Bolan’s discography is impressive. In September 1977, however, Bolan was killed in a car crash, a passenger in a purple mini, in London. He was two weeks shy of being 30.

The thing is, I have never, ever, had somebody mention how good Marc Bolan is to me. In all the years, and all the music conversations, never once has his name even come up. It’s not a name that would have ever occurred to me. And to be clear, I’m not poo-poohing the idea that Bolan is the third best front man ever: I have no idea if he is or not. I have zero frame of reference.

Or at least I had no frame of reference. What did we do before the internet? Before YouTube?

Marc Bolan fan: Marc Bolan is the greatest.
me: Is he now?
Marc Bolan fan: Don’t argue with me, I’m telling you
me: Never seen ‘im.
Marc Bolan fan: Well you should check out… um…er…

But with YouTube, there he is, in full purple colour (the 70’s were incredible for music, but they really were a crime against fashion). He is more charismatic than athletic, all good looks and pretty smile. The physical manifestations of the job he leaves for others, the heavy Les Paul keeps him pretty rooted in spot. But for that, he’s not bad. I see what they are talking about, although he’s not about to make my list.


My list: you knew it was coming… here it is, my list of the top ten (plus some)front men (and women).

1. Roger Daltrey – he moved constantly, he had all that blonde curly hair. He had the most powerful voice in rock, and didn’t have trouble singing on stage. He would twirl his microphone by the cord sending it twenty feet in the air and during Who Are You he ran on the spot through the whole song. In Won’t Get Fooled Again he offered up the greatest scream in rock and roll, that counts here.

2. Mick Jagger – Not tired old guy circa now Mick Jagger, but the young Mick Jagger that preened and pranced. Pre 1980’s Mick who exuded sexuality out of every pore. Once he put on the knee pads it was pretty much over, but I’ll even give him the knee pads tour of 1981. Mick pretty much invented the genre and virtually everybody else is an imitator to one degree or another. He deserves to be much higher than seven.

3. Robert Plant – The best band in the world, bar none (even the dog doesn’t argue that point with me). By a long, long shot. Heads and shoulders above the next. So how low can their front man be? Not below 3, that’s how low.

4. Bruce Springsteen – Even now he fronts an energy packed band, never stopping, never seeming to breathe for two, two-and-a-half, three hours. If you’ve never seen him, it’s exhausting. And yet, those in the know will tell you he’s nothing compared to what he was in 1978.

5. Janis Joplin – Rent the DVD Festival Express and skip to Cry Baby. Those chills running up and down your spine, that’s why Janis Joplin is not just the token woman on this list.

6. Russel Mael – Every one who makes one of these lists, every critic needs their obscure, arty band to prove their bona fides: Sparks are mine.

7. Stephen Tyler – He really is good, no matter who did what first.

8. Alice Cooper – He hung himself, onstage, with mascara running down his face. He wore a boa constrictor for a necklace. He danced with a corpse, and with skeletons in top hat and tails (with walking sticks, naturally). That stuff counts for something.

9. Rod Sewart – Of the Faces, not of Do You Think I’m Sexy. He tied scarves around his mike, duct taped the mic to the stand and taught Stephen Tyler how it’s done – the tutu is a but much though.

10. Freddie Mercury – I have no frame of reference having never seen Queen live or watched any Queen concert footage, but if he’s #2 for the Gibson experts and #1 for their readers, that’s good enough for me.

10a. Elton John – The electric boots, the mohair suits: OK that technically isn’t Elton John, but he has worn both. Also, he has dressed by like Luis XIV, worn oversized glasses with windshield wipers on them and played Crocodile Rock on stage opposite a crocodile. At the end of the day, this is supposed to be entertainment.

10b. Ian Hunter – The shades, the rock star hair and cockney accent. Ian Hunter was still doing Glam in 1980, and getting away with it. You couldn’t get away with Glam in 1980.

10c. J.Geils – More fun on stage than anybody you have ever seen, that has to count for something.

10d. David Lee Roth – He can jump microphone high, and do the splits. He wore yellow jumpsuits. He once said, “I’m not like this because I’m a rock star; I’m a rock star because I’m like this.” Some people are born to be front men, some have front men-ish-ness thrust upon them. Diamond Dave is of the former.

10e. Bob Seger – Since we’re allowing Bruce Springsteen…
The most fun you will ever have at a concert.

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